Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Friday, November 14, 2008

North & South :: Exceeds Expectations


North and South
[BBC, 2004]

Starring:
Richard Armitage
Daniela Denby-Ashe
Sinead Cusack
Others That Were Lovely Too

entertainment rating:
~
performance:
screenplay:
plot/storyline: ★
cinematography: ★
~
BBC Drama

******SPOILER ALERT******
(There are spoilers in this review! After the three paragraphs, spoilers will pop up! It's a kind of predictable story, so you probably shouldn't worry about it, but, just so you know...)

I'm back! And better than ever! With a terrifically long post! It's been a long time since I posted a review, but then again, it's been a long time since I've watched anything worth noting. After we finished the Eliott series, we were unsure of what to do next - the libraries seemed out of things to reserve, there was nothing we wanted to rent... There were a few things we did watch: there was the shallow but cute Nim's Island; Get Smart, which "missed it by that much;" the kind of depressing Evening; and the delightfully colorful Pushing Daisies; the hilarious and charming Miss Pettigrew Lives For a Day. And, of course, let's not forget Star Trek, the Next Generation, Season One.

And after all of this modern or futuristic film (c'mon, you know Star Trek is futuristic! Do you have a holodeck?), we were starting to hurt from 17th Century England withdraw. "Ouch!" we said, as Riker gets out his phaser and blasts a alien enemy. "Nooo," we say, "he's not attractive unless you put him in a tailcoat and cravat! Or even better, no cravat!" Tell-tale signs of BBC withdraw. And so you can imagine how excited we were to find that we could replace Star Trek (though it has its time and place) for a gorgeous and relatively new BBC drama. And not only was it just any drama, but it was adapted from an Elizabeth Gaskell book. Gaskell wrote Cranford, as well, which was adapted by BBC last year. A very good series.

Here is the brief version of my review, which contains NO spoilers. :)

North and South at first seems to be very much like other period dramas. The story told through the eyes of Margaret Hale (Denby-Ashe) and John Thornton (Armitage). Margaret is a strong young woman who, until the start of the story, lived in the comfortable, green South. (I capitalize the compass points for drama!) Her father uproots Margaret and her mother to move to the cold and dirty North, to a town called Milton, where the cotton industry and poverty rule the streets. John Thornton is the master of a prominent cotton mill - formidable, intelligent, to-drool-over without his cravat on... Moving on. The story revolves around how Margaret conforms to the ways of the North, how she adapts and learns to understand the people who live there - including the apparently unscrupulous Mr. Thornton.

We loved it. It is becoming our next Jane Eyre.

That is my brief version. :) I don't blame you if you chose to read the itsy-bitsy version and leave the rest and go about your daily life. But you see, I have *so* many thoughts on the movie that I simply had to continue writing about it, so my more in depth and spoiler-filled thoughts are as follows...

North and South seems, at first, to be like other period dramas. It is a perfect mix of a Jane Austen-like story, in the world of a Charles Dickens tale. Who could ask for more?!

Upon settling in Milton, Margaret's first acquaintances are the Thorntons, who own the most prominent cotton mill in Milton, Marborough Mill. And here is where you meet the leading man - Mr. John Thornton, Master of Marborough Mill. I loved how he was introduced: First viewed by Margaret, standing over his workrooms, and then, in a flying rage, beating a worker for smoking on the job. You immediately dislike him (despite his dreamy British qualities) - and so does Margaret. It fits! Finally, the prejudiced young woman *and* the audience doesn't like him much! I mean, who really didn't like Mr. Darcy, despite his incivility? Incivility doesn't affect an audience, nay, the more incivility the better, but to beat a helpless worker? To shout at her, telling her to get lost?

The characters in this story are very 3-dimensional. Mr. Thornton starts out seeming harsh, and slowly, through all four hours of the show, you see his depths. He isn't so bad, not at all. He is a self-made man, a sensible, clever man, who, despite his hard outward appearance necessary for his trade, is sensitive as well. His mother, Mrs. Hannah Thornton (Cusack), developed very much like her son - you begin by thinking she is an annoying, uppity, harsh woman, but as time goes on you see that she loves her son to death and her pride for him is explained. Some of the best scenes in the entire movie are between John and his mother. John's father died when he was young, so John and his mother have a close relationship - while his sister Fanny, who gave an absolutely hilarious performance - is just tolerated.

Margaret and her family are interesting, as well, though her parents aren't the most lively of people. Her mother is ill and her father is slightly simple, but neither are stupid. Margaret acts as the head of the family, independent and confident, though conforming to the ways of the North was a hard process. She befriends the workers, and as time goes on, she becomes familiar with the North, calls it her home as warmly as she before called the South so.

Margaret and John's relationship is hilter-kilter throughout. They begin on very bad terms, what with Margaret's deep loathing of him. They end up arguing at every meeting and generally make a mess of every conversation. However, Margaret is different than a stereotypical prejudiced young lady. She learns, she doesn't hold onto her grudges. Her opinions change, and though she once thought John was a harsh, horrible man, she adapts as she finds the reasoning to his methods.

All in all, it was a very enjoyable performance. The actors were great - Richard Armitage, whom we had never seen in anything before this, was really good (and so pale, my heavens.) His character had equal portions of acting with intensity, and with subtlety. Not many actors are equally good at both, but Richard aced it. Daniela Denby-Ashe was also a newbie for us, however, we liked her immensely. I love her eyebrows! She was really, really great at subtle acting, just the slightest change to her facial expression conveyed exactly what she was thinking about. And Sinead Cusack? Wow, she was fantastic, really awesome character portrayal and that accent...

We were also really impressed by how pretty the movie was - the colors and feel of all of the settings and clothes really reflected the story and setting. Very pretty colors; muted and dingy in the North, colorful and vibrant in the South.

I want to watch it again, already! We've watched it twice so far, but I have a feeling it's going to be viewed many more a time.


P.S. I promise that do so *not* have a thing for period drama guys with open shirt necks! What an accusation... Cross my fingers - I mean - heart!


Friday, August 29, 2008

successfully entertained me :)



House of Eliott
[BBC, 1991]

Starring:
Louise Lombard
Stella Gonet

average rating:
~
performance:
screenplay:
plot/storyline:
cinematography:
~
20's Fashion, lol

"House of Elliot" is a BBC TV drama made in the early 90's, about two sisters in the early 20's. Right before this, I had been on an "Alias" streak (because "Alias" is awesome, most of the time). The only movie store that owns all the seasons of Alias is a Vision Video in town, and when we made the trip over there and found that one of the discs we wanted was checked out, we had to find something else to occupy our designated, very important movie time.

So we were scouring the shelves (and finding the most entertaining box covers and old shows, but nothing we wanted to spend money on) when we came across a few BBC series. We like BBC, in general, they make such fun dramas, and when we saw "House of Eliott" we were interested, but we passed because it looked rather ancient. We know about ancient - aesthetics dictate that "ancient" when applied to "movies" often produce "awful." It's like 'i before e, except after c': it's true the majority of the time, but once in a while you find something that breaks the rule.

However, not but a few days after that a friend of ours (Sarraahhh) told us she had been watching "House of Eliott" and we about died. How weird is that? So we trollop over to the movie store again and pick up a few discs, though already forewarned that the series was "about practically nothing, but very hooking all the same."

And very true that is. The starring characters of "House of Eliott" are the two strong-minded Eliott sisters; Beatrice (Bea), who is a slightly conservative, nearly-middle-aged spinster; and Evangeline (Evie) who is a creative, beautiful, and innovative young woman. The two sisters, having been used to wealth, comfort, and seclusion, are suddenly left flailing in society when their father dies and leaves them no money and a slowly emerging scandal. While the two sisters (who are very close) struggle to find fair jobs in 1920 London, they stumble upon a few lovable characters and a few not-so-lovable ones. Jack Maddox, a popular photographer, takes Beatrice on as a secretary and becomes a very lovable part of the cast as the charming, sarcastic, supportive and (at first) somewhat questionably respectable best friend.

The acting is really quite splendid for a series that was broadcast by BBC in the early 90's. We've seen plenty of horrifying BBC productions from the early ages (haha), and in comparison, and actually in general, the acting is great. The two sisters are very, very natural together. *applauds*

The plot line is very simple, but at the same time it grabs your attention. The characters face ordinary troubles, yet you are just dying to know how they resolve them. Also, the feel of the 20's is always present, especially since the series evolves until the sisters own their own dressmaking business. The clothes are outrageous (I love them) and they are very consistent with their manner of speaking and the social ladder and the jazz music (which sends Mum into the realms of insanity).

We are only three discs into the first series, so I will post another review for the second season. Still, I would recommend this series to anyone who loves British people, adores simplistic stories, is infatuated with all things British + Simplistic + Slightly-Over-Dramatized....(I do!) Anyway, I can't wait to get on with the story. :)


Thursday, March 6, 2008

About a Boy
[2002]

Starring:
Hugh Grant
Nicholas Hoult
Toni Colette
Rachel Weisz

average rating:
~
performance:
screenplay:
plot/storyline:
cinematography:
~
Comedy

"About a Boy" is about how a very immature man is taught to grow up by a very mature boy. As you can guess, Hugh Grant plays this very immature man, named Will, who, on the lookout for hot single mom's, attends a "Single Parents Alone Together" meeting. From here, he meets a 12-year-old kid named Marcus (Hoult), who is entirely geeky. Pretty soon into the story you find that Marcus's mother has serious depression problems and tries to commit suicide at one point. After that, Marcus begins to drop by Will's house every day. They develop a reluctant relationship and Will learns to grow up.

The movie was really very funny. Hugh Grant played a moderately different character (who didn't stutter!!) and one of the funnest parts was that both Will and Marcus narrated the story. They would interject their thoughts into random parts of the story. It was really cute. Also, the kid who played Marcus was really good, and however horrible his haircuts may have been, he was funny.

This was yet another movie worth watching! Good laughs, cute story.

I'm about to post the movies that weren't worth watching, so hold your horses. :)

Thursday, January 24, 2008

Spitfire Grill
[1996]

Starring:
Alison Elliot

average rating: ★
~
performance: ★
screenplay: ★
plot/storyline: ★
cinematography: ★
~
oh the DRAMMMMMAAAAA

Thursday, January 17, 2008

The Terminal
[2005]

Starring:
Tom Hanks
Catherine Zeta-Jones
Stanely Tucci

average rating: ★★
~
performance: ★★
screenplay: ★★
plot/storyline: ★★
cinematography: ★★
~
Russian Gobbledegook




Saturday, January 12, 2008

Freedom Writers

[Masterpiece Theatre, 2006]

Starring:
Hilary Swank
Imelda Staunton
April Hernandez
Mario
Patrick Dempsy - Wempsy

average rating: ★★★
~
performance: ★★
screenplay: ★★
plot/storyline: ★★
cinematography: ★★
~
Based on a True Story Drama About Racism